21 May 2026
For no reason known to me, I took a pic of this corner of my desk. I suppose the "reason" was that I won't have access to my office over the summer or next fall due to the renovation, and even though I have plenty of time to pack up and move, I am not doing it. I'm frozen.
Every year at the end of the year, since Littleton, I have felt like "I need to pack up, I'm not coming back." I never even really moved into Hinkley, I knew it was transient. Temporary. Not My Final Resting Place.
The ficus far left is from the props closet here. I'm a slut for fake plants, and I have two in here. Because I want every space I work in to look like a dentist office in 1983.
Based on this corner, it looks like I've moved in here. But there are two boxes at home that came out of Littleton that remain unopened.
The yellow flowers...I think those are from "Your Silence Our Voices" (Hink) only because there's a note from the AP with them. Did she give us permanent fake roses? That'd be cool. But maybe not, maybe they've traveled from elsewhere. That show was the nail in my coffin with the incoming principal at Hinkley. I am who I am.The banged up metal pitcher they live in came out of Littleton. The dried red rose is the first given to me here.
Above it, the sign is from a person called "Duck". She was a sub at Hinkley and went by Duck--it combined her first and middle names, former students had christened her with it. We went through the shooting together. If I recall, her car had to stay at the school after they released the rest of us, it may have had a bullet hole in it. She was around as the "band" sub after the third band teacher quit and I would make sure I had extra food for her in the choir office microwave. That was when Rosie was there. I liked those days. So when she left, Duck gave me the sign and put a duck sticker over the "s" at "ducks", and wrote a note on the back, "Thank you for feeding me".
Below that is the cast photo from Littleton's A Company of Wayward Saints". I loved that show and those kids. They made their own masks and chose the fabrics for their costumes. A Very Talented student painted the proskenes as Harlequin and Columbina. My work wife and her husband build a pagent wagon. There was so much support and promise and talent at that moment.
The artwork under the yellow roses was sketched by Kaylen Higgins from Littleton. It's a great portrait of a strong woman with a mohawk. It bares no resemblence to me, which is great because the 'hawk is a symbol. I like to imagine the portrait is how Kaylen saw me.
The scene board is a gift from the male Odd Couple at Littleton. Signed by the cast. The "God-o-Tech" signature at the top is Felker's. If you know, you know. The board reappeard in a random box last fall as I was digging stuff out. I'd already decided to do The Odd Couple (Female)at Kennedy. It was a sign. I get a lot of those, so many I rarely mention them. But that one was worth mentioning.
Tucked behind that is my EDTA Thespian card for 645, which I reinstated here at Kennedy. And a funny sign students gave me at Littleton "Kids Are Our Future. Not Your Kids, Better Ones."
I had to pause, the band and choir teacher are organizing platforms to be borrowed later today. I'm not involved, but when I hear their voices I join them. I'm not part of their team, really, but we work together well. And if someone is in the theatre and I'm around, I feel like I should be near by and visible.
Next to the "kids" sign is a Schittts Creek mug from a Hinkley kid, and on top is a button that says "I kmart" made by a Littleton kid who had the same name as an olympic swimmer. I have a shirt from him with the same moniker on it.
Back to the wall; the next rown down starting at the top is the photo from Littleton's Little Shop of Horrors", a handmade card from a kid here at Kennedy who was moving to Arvada, my Bobby G nomination from the Paleolithic era, and a photo of Mr. Albee with one of his fabulous quotes "Art is nowhere near as dangerous as it should be". I loved him.
On the desk in front of him: two photos from a show I directed in college Danny and the Deep Blue Sea gifted to me by the actors. A wooden dog and cat, gifted by a Hink Kid.
Then white water barrel with "kmart", green water bottle with "Martin" and the Kennedy anchor (teacher appreciaton), empty Starbucks cup and lid for prop purposes, lotion with a broken pump and the green lid tops an empty drum of some sort of sweet crunch snack donated by a kid during the musical that I just kept and clearly finished off. I keep empty jugs. I have one in my desk that contained peanut butter pretzels. I am a hoarder. It's a good joke: are you a hoarder or a theatre teacher?
And my district computer.
Why did I take this photo?
Why did I need to identify everything in the photo?
Did I move in?
Also noted: no photos of my children, my husband or myself. Not just in this corner---in the entire office. I have my helmet (saved my life) and poster of Leia "REBEL". I had photos of the kids and Jim in my Littleton office, on my desk. At Hinkley my desk was in the classroom and I learned quickly not to put anything I cared about on the surface. My first day at Hinkley a kid broke a ceramic piece gifted to me by a Littleton kid. Just because he couldn't control his body and was trying to get away from a friend. I was also told to fuck off twice that first week, just by asking kids to go to class. I almost quit before Covid shut us down...that job was never meant for me to stay. It was an escape route from Littleton, a bridge over Covid. Which is great, but now I'm old and nobody wants me.
See? You knew I'd get there. Thank you for believing in me.
60.
One could argue that I'm trapped in the corner, or my corner traps my past. Not even Who I Was, as I wasn't anyone of note. The corner is education. But at my age, there aren't any new avenues. Particularly in a dumpster fire country burning itself to the ground. I can't quit because I need insurance, and insurance is tied to the job. Because they set it up that way. God Bless Obama, he tried, but the rollout was poisoned and then Trump trampled it, so...guess I'll be teaching another year. Or five. Or until I die.
I don't have any current photos to put anywhere, and my office has been encroached upon and my personal speaker stolen. So it's not really safe, or my "office". I carved it out of what was tech storage because I need a place near the stage to function. I think the previous teacher "lived" on the first floor platform by the light cage. There is a table and chairs and refrigerator up there. It makes sense if you don't mind climbing up and down the metal death stairs that are too narrow; it's a great perch. You can see the stage but nobody knows you're there. Like a hawk...but I don't see that. I see a raven. A black bird.
This isn't my stage. I'm just rebooting. Hink wasn't mine, either, I was rebooting there too. Not that it mattered.
60.
60 years are too many years. 23 years in education are too many. You just watch history repeat itself and you are helpless to get off the merry go round or change anything. You just have to watch it repeat.
And sit at your desk staring at the corner of your trapped past, which traps you now.
Or something.
Scene.
