Sunday, April 18, 2021

When the Janus Masks Collide- Six Months After The First Janus Mask Post


    In October, I wrote a piece about teaching remotely in an empty theatre. It got to the heart of what was an impressive depressive moment using Hamlet and absurdism. Usually I am unable to write when things are so dark, and the fact that it went to well had me thinking I could try again. Six months later, second depression cycle, it can't be worse.

   This has been edited three times. It is what it is. Enjoy.

   My new mantra is to say "I've been here ten minutes". Like my name, my quips have changed with the district. I am now "Miss K", no longer "Kmart", and I've never said "It's fine, I'm fine stop looking at me I'm fine."  None of this was intentional, it just happened. Since I'm remote, and my name on the screen is "Kristen Martin", and I introduce myelf as "Kmart", kids this spring started calling me "Miss K". I like it better than "Miss", which is typical for the ELL kids to call me. At least I get an indentifying letter after the saluttion. 

   I used to say "It's find I'm fine stop looking at me I'm fine" because I had a student who did that, and it was hilarious. It started with her, and then ingrained itself into my every day axioms. I was not aware I'd stopped using it until this week. I haven't had a studnet ask how I'm doing, so the answer was not necessary. It's phrased differently in this disitrict with AP's, they constantly ask "What support do you need?" Nobody here asks how you are doing. It's weird. However kids do ask a lot of questions about the spinning Covid Remote Hybrid Cohort In Person roulette wheel, the history of the theatre, the future of the theatre, why the district makes certain decisions...and I have no answers, so I shrug and say "I dunno, I've been here ten minutes." At the beginning of every day I feel like I'm at the end of a hard day where eveything was on fire and I had only a plastic bucket from the dollar store for water, and on the way home I had to stop at the grocery store to figure out dinner and when I walk in the door the kids say "The toilet's clogged, the dog pooped and what's for dinner?"

      "I dunno, I've been here ten minutes."

       Every. Day.

     So, in Acting 1 we were reading Alone, Together ---I read a lot of plays when teaching theatre remotely--a collection of plays commissioned for UC Santa Barbara's LAUNCH PAD during Covid.  They are written specifically for Zoom performance. They do not suck. We did a virtual "Whodunnit" in the fall that was pretty craptastic, but these pieces have heart, and soul, and themes and symbols and are truly wonderful.

   Since we all lived through this plague,I skipped my usual "Here is the playwright's bio and history of the time period". It is my favorite part of teaching Shakespeare or Tennessee, but it didn't seem necessary for over 30 writers, all creating in a pandemic lock down that we all lived through. We're in cohorts and five of the ten students enrolled have been showing up, all online. None of the three in person had showed as yet. On this day, one of them appeared in the room. I did not recognize her from the fall session since she was masked, I thought she was lost. She looked around the empty room and I shrugged, "There are only three of you in Cohort B, and R---chose to stay remote and G---has never shown up. You don't have to stay in person if you don't want to." She replied that she really needed to be in person even if I was the only one present. She sat at the table, opened her computer and we read the first monologue in the play collection with the five online.  The monologue is a piece written from the perspective of a Nursing Home Chef, who is now cooking alone due to the plague. His clients are also confined to their rooms, so he has to knock on their doors and deliver the meals to a rack outside the door.

   It was devastating. Honestly engaging and deeply impactful. 

   After the reading,  the lone masked student asked how everyone was doing with Covid, she said the monologue made her wonder about other personal experiences besides her own.

   An hour later... they were wrapping up sharing and I was gobmacked at how honest they'd been online, and how kind and supportive and politically and socially active they are.  They opened their mikes and shared while the support was written in the chat. I read a lot of "You have the right to feel like that" and "You are valid" comments.  What I hear is "To thine own self be true", but they didn't read Hamlet. They seem so mature to me. 

   A moment of absorbsion, and then the question came to me. "How are you, Miss K?" I laughed at first and said "You've been looking at nothing but my face since last fall, you can't tell?"

    I realized: nope, they can't tell. I shifted into neutral back in October. My Janus masks of comedy and tragedy merged to create a steel neutral mask that I could hide behind in order to get through this.  How Am I? I suddenly begin by running the popular Taylor Malik slam in my head "What do I make? Let me tell you..." but I switched it to "How am I? Let me tell you...."

   I'm ten years older than I was a this time last year. I hate this. I'm exhausted, remote teaching is nothing but giving energy and receiving nothing. Receiving nothing nada zip zero in return, Steven Colbert said doing his show remotely was like shouting into an Altoid can and chucking it into traffic: it's like that, that's what  teaching online for 12 months is like, I do nothing but expend energy and receive nothing back on average, chucking my tin can into traffic and hoping some passerby hears, I sat on stage six months ago and wrote a eulogy for theatre because she feels dead so I moved to the classroom so I'm cut off and I can't even think of a play I've ever written to compare this disonnection to and 72% of my students are opting to be completely remote, and of those cohorts supposed to be in person, 20% are not coming in. Now, those are my numbers only, but I see it reflected in the rest of my department. Where I do not see it is in IB core classes, where all of the cohort kids are showing up -How Am I?? this is not happening because I suck this is happening because they don't need theatre to graduate and they did not sign up to do it online. NOBODY WANTS TO DO THEATRE ONLINE the only ones showing up are freshmen who will be here next year and can understand that they want to build something, it'll be open next year and they'll be here to see it happen but the seniors are over it and the juniors are frustrated and angry and just want to get out at this point How Am I? I'm screaming behind a neutral mask because every day for a year now I have to log on in front of these kids and convince them that this matters, we will be open in the fall and everything they're learning now will then be applied when we're live on stage again and I can't let them see how miserable and angry and frustrated I am and I can't answer their questions about the rest of the school year because I'm not in charge all I can control is the neutral mask. I hate it here. That's how I am.

   So with four Brady Bunch faces and one masked sitting at the table in the middle of the  vast, empty room staring at me, I realized I hadn't seen much on their faces, either. They have also controlled the  comedy and tragedy of the last year and built a neutral mask. That's why so many will not turn on their cameras, there's a neutral mask built in to remote learning with their circle photo. The mask they are forced to wear in person or to work has become convenient.We can't read each other's faces because we're afraid someone will see the truth and we might make their day worse because there is nothing anyone can do. The only control we have had all year is over our faces.

   So when she asked, I paused. These are sophomores. My adult problems are not to be shared with them. They share theirs and I'm the adult, I listen and give advice if I can, but I don't share. I do not know these kids. They do not know me. I've been here ten minutes. They are all looking at me, and suddenly the last nine months of driving into an empty school to teach kids who are at home on their computers while I sit next to an empty theatre and silent choir blasted into my head. The plays we are reading are about a variety of experiences in Covid, from student to immigrant to entitleds with boats but the theme is the same: we are not OK. We've just read the first monologue, a chef in a Florida nursing home who is now working alone. A lockdown inside of a lockdown. He is barely holding on emotionally, making desserts for imaginary birthdays to cheer up residents, knocking on the resident doors and holding his breath, waiting for the return knock of life. It's a great piece.  Another student repeated the question "Miss, how are you doing?"I looked at my Brady Bunch Screen and up at the masked student, floating in my massive desolate classroom, big false eyelashes trained on my face, and couldn't speak. 

   "I'm fine," I stumbled. "Stop looking at me, I'm fine" and I began to laugh. "I'm fine, I'm an adult, this sucks, I hate this, I'm too old for this, I'm not even relevent, none of this is going to matter, what's the point?" They stared, silently, and I continued, unable to stop myself. "You have no idea, wait until next fall when we do Absurdism, this will make sense/ no sense. Nothing happens,nobody comes, it's fine." I realized there were tears on my face, and the mask had shattered into tragedy. Before I could switch to comedy, one of the kids said "It's OK, Miss, you're the only class I come to. I've made friends here." Through my blurred vision I saw the chat box lighting up with support. Suddenly Melissa Manchester was belting her face off in my head. "Don't CRYYYY OUUUUUUTLOUUUUUUD"

   So there I was, struggling to return to neutral, downloading top forty hits from my youth, Taylor Malik  and snippets of Shakespeare, whilst clearly cracking up in front of students. Their cameras and mikes were all on, they were all watching me and smiling back at me and writing "You're valid" in the chat box. Locked down in a lockdown, using a chat box to communicate because mikes are stupid in google meet. Bounded in a nutshell...but they didn't read Hamlet. Doesn't matter. I get it.

   We know others have returned to their classes, their choir rooms, their theatres.

    And we have not.

   I'm still shouting into an Altoid can.

    25 more days. I can do anything for 25 days.

Sunday, April 4, 2021

08/10/13 One Of These Things Does Not Belong REPOST

 

   In the immortal words of David Byrne, I spent last night wondering "How did I get here?
   See, the Boettcher Scholarship is given to 40 kids statewide every year. They receive a full ride to all 4 years at a Colorado school.
    I was not in the running for a Boettcher in 1984 when I barely graduated from GMHS.
    Frankly, I'm not even sure I knew what "The Boettcher" was outside of a concert hall and a very rich Colorado family.
    Each student is then asked to choose one of their teachers to receive a $1000.00 grant for their department.
    I'm going into my 10th year at LHS, and I recall 3 Boettcher scholars in that time. I have no doubt there were others, but I didn't know them.
    Last year's scholar told me about the grant money, and which teacher he was giving it to-math- which was the first I'd heard of it. I said "You get to do what?" How rich are these people?
    Answer: Soooooo Rich.
   
     In 1984 when I graduated, we had some freaking stellar teachers at GMHS. It was the perfect storm. The Starkeys ruled Lang Arts, Bud ran the theatre like a mini-conservatory, Steve Meinenger was Da Bomb in music, and I heard Shibley (what was his first name?) the band teacher was a real jazz musician, which was to either explain or excuse his apparent daily hangovers.
     And there was Peter Melbach: History.
     Sometimes called "Peter Von Melbach" or "Fucking Melbach" or just "Melbach".
     My freshman year I got a "C" in his class. I learned more from him than any other history teacher, ever, and regardless of that grade, I signed up for his class again sophomore year. Fall semester I got an "F". I left my WWI map at a school in Salida while on tour with concert choir. When I returned, crying, begging for just ONE extra day to redo the map, I was coldly told "No. It was due today" by Melbach.
     Later, after taking as many classes with him as I could, I came into his classroom with Shadows to sing to some kid in his class. He grabbed me by the door and said "You have more talent in your little finger than most of this school. Don't waste it."
     I was terrified.

     Forward twenty years. I was a waitress at My Brothers Bar in Denver, which turns out to be Peter Melbach's favorite watering hole. Every time I would see him, he would ask about what I was doing ("Some show here, film over there, shot a commercial, blah blah blah") and he would say "Why aren't you teaching?" and I would say "Because you are. I'm not needed."
     Then one night I said "I am thinking about it. Maybe subbing first?" and he lit up like I'd never seen and just said "Yes."
     
    And the rest, as they say, is history...
    But then...
    The LHS Boettcher scholar this year was a theatre kid. And he chose me to receive the grant money.
     So I got to go to the fancy shmancy Boettcher ceremony at the Botanic Gardens.
     It rained, there was an accident and we were late, but we made it. "We" meaning Jim and I because I Got To Bring A Date!
      As I sat next to Ryan (the Boettcher Scholar, the kid who did all the work and who should get all the credit) watching the teacher/student parade and awaiting our moment, I saw Peter Melbach, heard his name announced and watched him accept a plaque.
      I gasped and looked at Jim "No way!"
      This is where I tell you my loving and supportive husband said "It's like if Spicoli was at the same awards as Mr. Hand." Yes, yes it is, and enjoy the couch tonight, dear.
      Funny, but wrong.
      I looked at the program and Peter Melbach has a denotation by his name indicating he is a "multiple recipient" of the Boettcher money.
       Of course he is.
       So when Ryan and I lined up to await our turn, I saw Peter in the front row and I started waving at him like a three year old at her dad on the merry go round.
         Seriously, you cannot take me anywhere. I have no doubt Ryan was humiliated and was wishing he'd chosen a grown up for the award money.
         Also, I cannot be around my high school teachers. When Bud comes to shows I am inconsolable. I still want nothing more than for Kathy Starkey to think I'm smart. Steve Meinenger got flipped off when he asked if I was supposed to be using the printer in the band office---this was three years ago. I was 44 years old.
         Poor Melbach must have thought I was "special"or had suffered a brain injury.
    
         Once we were released to the alcohol and food tables---wait, a moment should be taken to compliment the Boettcher's ability to know how to make high school teachers happy: free booze, free food and an invitation to wander around Denver Botanic Gardens for free. These guys get it.
         I got my red wine and made a beeline for Peter. I have no doubt anybody watching saw a crazy stalker.
         Once in front of him, I realized I had nothing to say. I mean...he's Peter Fucking Melbach, Five Time Boettcher recipient and Rock Star IB History Teacher. I'm Schleppy The Clown. The last time we spoke I asked him if he wanted another beer.
         So I said "Can we get a photo to prove you and I are at the same awards?" He was gracious and kind and said of course.
         His prinicpal offered to take the photo and I was out of conversation starters when Peter said "Congratulations."
          "Thanks. Wow. You too. How may is this?"
          He shrugged. "Five."
          I downed half my glass of wine.
          He indicated my glass "Where'd you get that?"
          AH! YES! Booze! A way in!
          "Over there, I'll walk with you."
          He stopped first and looked at me. The  man has the most intense, intelligent eyes. I thought how much they look like Kathy Starkey's eyes and how I hope he doesn't see nothing at all in mine.
           He said "You are a great teacher."
           I shook my head. "Dude, you have no idea."
           He stood firm. "Yes I do. I know. I knew it in high school.Congrats."

          Inside I was screaming and dancing and barfing and outside I held it together THANK YOU YEARS OF ACTING TEACHERS and said "Thanks. Seriously." And we walked together toward the booze and he called me kryssi and told me he was retiring and wants to write an historical fiction novel and see "what else is out there" after 38 years of teaching.
         Like we were colleagues or something. Not like we were Peter Fucking Melbach and Schleppy
 The Clown.
 
          
 
         
        
   
    
    

Square State Teacher: The Circle Of Life (the nutshell version)

 

     I am not a person who was Born To Teach. I've met those people, I've been taught by those people and I've taught beside those people: I am not one of those people.

     I became a teacher in the same way I do everything: indecision, neurosis and through the side door. 

     I went to Green Mountain High School in the 80's, the most impactful teachers I had were Katherine (lang arts), Bud (theatre) and Peter (social studies). They will return in this story, hold on. 

      After years of not teaching, I looked at my small children and failed theatre career and decided that teaching would provide job stability and benefits. So I started subbing. At GMHS for Katherine, and for Bud's replacement, who was a GMHS alulm who graduated a year behind me. I would pull into the parking lot belting CIRCLE OF LIFE. I did this for a year, and decided it sounded like a good idea to just Be A Teacher. Of course I was in my mid thirties with small children, so I was not going back to school to do this. I found out that if someone would hire me, I could get my certification through the TIR program at Metro on Monday nights. I just had to get someone to hire me.

     I did, and my second year teaching, I received a phone call from Katherine. She had retired from GMHS and was now working in the TIR program. She was calling because she had been assigned to me as my mentor. That was the second time I belted CIRCLE OF LIFE. Katherine spent that year observing my classes and making sure I got the overwhelming piles of paperwork into the CDE. She wrote her notes in that gorgeous, sprawling handwriting that I loved in high school, and used phrases from my youth, like 'Truly Wonderful'.

     In my eighth year, one of my students shared his Boettcher with me. I was able to attend the Boettcher awards at the Botanic Gardens with other teachers who were also being recognized. They tend to be core teachers, or IB or AP, I was the only theatre teacher. I hung out with a choir teacher from another district. Then came time for the Parade of Teachers, and I caught sight of Peter (remember him from paragraph 3?) who was being introduced as a multiple recipient of the Boettcher. I turned to Jim, completely gobsmacked, and said "I don't belong here. He's a real teacher. This is like Spicoli getting the same award as Mr. Hand."   Peter and I had crossed paths years earlier when I was doing theatre/waiting tables, and he had stated flatly "Why aren't you teaching? You're a teacher." As I was in public, I could not sing CIRCLE OF LIFE. But I wanted to.

       In my eleventh year, a former student of mine who had been chorographing our musicals, returned to the building as substitute teacher. The next year, he was hired to replace the retiring art teacher, who had been his art teacher. Don't start singing yet.

       He chose the TIR program. And his mentor was:Katherine.

       You can start singing now.